http://www.thefourwinds.com/articles.html
by
Alberto Villoldo
interviewed
by Michael Peter Langevin and Richard Daab ( from "Magical Blend"
magazine)
Psychologist Alberto Villoldo traveled to Peru
to research the effects of the jungle plant Ayahuasca. Known by natives as "the
Vine of Death," the plant was used by shamans to lead them to a place of power
and ancient knowledge. Through ritual, ceremony, and the use of mind-wrenching
potions, a renowned Incan shaman known to the Indians as Don Jicaram ushered the
psychologist into a dangerous and fantastic realm of mind and body. Villoldo's
book, The four Winds, provides a riveting personal account of this
shamanic initiation.
Villoldo established the Biological Self-Regulation
Laboratory at San Francisco State University to investigate new opportunities of
healing. In addition to The Four Winds, (Harper & Row) he is the
author of Millennium: Glimpses into the Twenty-First Century, Healing
States, and Realms of Healing. In this interview, Alberto Villoldo
reveals the mythic journey through four cardinal points of the Medicine
Wheel.
Why is it that suddenly we are digging into our past to
find techniques like shamanism to help us face our future?
Alberto
Villoldo: If you look at times when humanity has taken evolutionary quantum
leaps, these leaps have always occurred when we were faced with possible
extinction. When things are going great there's no need to change. It is out of
the threat of extinction that humanity makes quantum leaps, and I think we're at
the threshold of one again today. And we are rediscovering the neurological
tools to do what the medicine man or visionary was able to do so elegantly---to
quantum leap into the future.
About a hundred thousand years ago the
human brain nearly doubled in size. We acquired a new neural computer that we
are still learning how to use. I'm talking about the neocortex that's divided
into the left and right brain hemispheres. I believe that the awakening of the
neocortex has been the driving force of prophets, visionaries, great scientists,
and great medicine men and women. Once awakened, this new brain is not bound by
the ordinary definitions of time and space. This new brain is awakening in
humanity at large today, and unless we learn how to master its capabilities, it
begins to turn against us, creating psychosomatic disease and psychosomatic
disorders. It is also giving us the ability to heal ourselves (creating
psychosomatic health) and to choose our individual destinies. But above all,
it's giving us the power to engage the totality of human knowledge-though rough
computers, through the media, through observing nature. Shamanism is but an
ancient map for mastering these capabilities.
In the meantime, we are in
the process of gaining access to all the information of mankind through our
computers. The access to that information in a time of crisis could propel us
into a fundamental shift in the myths we live by.
How can shamanism
aid in shifting our mythologies?
Alberto Villoldo: Shamanism offers a
different mythology of our origins. One shift that's taking place in our
mythologies right now involves renouncing the myth that we are outcast from
nature. The Judeo-Christian mythology is not one of liberation but of atonement.
As far as I know, it is the only mythology to kick its people out of paradise
and make them win their way back through penance. Ecology comes naturally to
the
Native American and to the shaman because they were never cast out from the
garden. It's not something you have to do. It's something you live. It's the
principle of "walking with beauty" on the earth. What's happening is that we're
breaking out of a mythology of control and repression into one of liberation.
One of the reasons that church and state have, for centuries, hunted down
shamanism is that it expounds a mythology of liberation. Shamanism offers a
direct communion with the divine and the possibility to influence the course of
one's own destiny. Shamanism is not a religion. There is no Christ, no Buddha,
nobody who says, "Follow my footsteps." Shamanism demands that you
take your own steps with courage, compassion, and vision. It requires that
you learn how to
learn from nature. It teaches you to meet power directly, embrace it, and claim
it.
Even though one must take one's own steps, surely shamanism offers
a guide.
Alberto Villoldo: The medicine wheel is such a guide. It
presents the four steps to power and knowledge and ways to access the abilities
of our neocortex. Each direction has a specific theme associated with it. The
South is the place of the serpent-the way of the healer. The work here is
shedding the past. You shed the past the same way the serpent sheds his skin-all
at once. For the shaman this is an act of power. You let go not only of the
pain
but also of the joy of your past. In shedding the past you acknowledge and
forgive those who have wronged you and whom you have wronged Psychology attempts
to free you from the past by dissecting the traumatic experiences of your life.
In shamanism you set free all at once the spirits from the past that are
haunting you. These spirits are not necessarily people who have died. They
may be people who are alive that you've trapped in some way in your psyche,
and who
continue to haunt you in the present.
The next direction is the West-the
way of the warrior. The West is represented by the jaguar, the abilities of
cunning, stealth, and total relaxation, and the ability to strike
instantaneously. When I first began the work of the West, the medicine man I was
studying with, Don Ramon, assigned me a task. He told me he wanted me to walk
into the Amazon without having all the sounds of the jungle stop. That wasn't an
easy thing to do. The first time I tried, I was only into the jungle two feet
when the parrots stopped, singing and the monkeys stopped screeching. Everything
stopped. Ramon said that this was because the animals could smell the violence
in me. He walked into the Amazon, and the noise continued; the animals took no
notice. I told him it was be cause he smelled like the jungle and that if I
smelled like he did, the animals wouldn't smell me eit her. Later we happened
upon two Indians at the edge of a stream who were melting the fat of an animal.
I asked them for some of the fat and rubbed it all over my body.
I stank. There
was no way you could smell any vestiges of underarm deodorant, shaving cream, or
shampoo. I got up and walked into the jungle. I took the first step, and the
animals took no notice. I took a second step, and everything was still all
right. But when I took the third step, every sound stopped. It was not until
about five years later that I succeeded in that task. Ramon and I had been
walking in the jungle for about an hour and a half and he said, "Listen." The
jungle was filled with noise, and I could finally walk in the Amazon without
making the animals silent.
The third step in the medicine wheel is the
North, which is the way of mastery. It's represented by the white buffalo, by
the snow leopard, and by the dragon. In the North the shaman understands the
workings of Heaven and Earth. According to legend, the mastery teachings give
you power with the forces of nature and the ability to influence the course of
our collective destinies. Rolling Thunder, the Shoshone medicine man, was known
for his ability to influence the weather---I saw him produce a thunderstorm that
drenched us in the desert during dry season. The North-South axis is the axis
that most readily lends itself to abuse for the sake of power.
The East
is the direction of healing through vision. It emphasizes the possible---not the
probable, but the possible. Its animal is the eagle, and it teaches the shaman
the use of vision. To the medicine person vision, is more precious than sight.
It has to do with placing the cart way before the horse and seeing what you are
trying to accomplish before looking at the limitations. It is an act of
creation, of forging the kind of future we want our children to inherit. The
Medicine Wheel is described in detail in my book, The Four Winds.
The
East-West axis is the axis of compassion and vision, and is the horizon on which
the shaman operates. It has direct access of power, but it is tempered by
compassion and service. In Castaneda's tradition, for example, you find that
dimension missing completely. Castaneda's Don Juan was a sorcerer, not a shaman.
There is no instance of healing in any Casteneda books at all.
You
have to admit that Castaneda caught the public imagination and foreshadowed much
of the current interest in shamanism.
Alberto Villoldo: I certainly
admire his writings. Story teller, but what he's writing about is not strictly
shamanism. Don Juan is a sorcerer. Sorcery is the gathering and accumulation of
power. Shamanism is the exercise of power with the goal of service and
compassion. I think that Castaneda's writings are extraordinary even though he
might have construed a lot that he wrote about. It's sad that he's not
accessible and is unwilling to have his material verified. My gripe with
Castaneda s that anybody who has credentials like he has, or like I do, has to
make his work verifiable by others. If you don't, then it's a figment of your
imagination. It becomes just another hallucinatory ex-perience. Yes, he has
opened the doorways into domains of mystery for many people, but it's sad that
he has personally not been more accountable for his experiences.
All of the
shamans I work with are real flesh and blood- you can meet them in one of the
expeditions that I lead through the Four Winds Society.
If Don Juan is
not a shaman, what is?
Alberto Villoldo: The role of the shaman is
split up into four different roles: Healer, sorcerer, priest, and myth maker.
Narrowly defined, the priest repeats the old stories and keeps the mythology
going, whereas the shaman links us directly to the knowledge contained in the
myth. When the priest sits at the top of the hierarchy and withholds knowledge
from the people, the shaman ceases to be a viable part of the society. That's
when the shamans begin to disappear. There are some tribes in North America in
which the role of the shaman is still intact, but you are more likely to find
them in the Amazon and the Andes in South America where the people have not been
confined to reservations for 200 years. In the classical sense, shamans are the
intermediaries between Heaven and Earth. They do not dispense healing. That's
the role of the healer. The shaman says you can't heal yourself until you become
a healer, until you become a person of power. If you are unable or unwilling to
do that, then you go see the healer and he or she will give you the herbs. The
shaman is more of an instigator who brings you directly into contact with your
own power. The priest is interested in the answers; the shaman is more
interested in provoking you to ask the questions that will lead you into paradox
and duality. The shaman helps you to learn how to step out of the monochronic
time--the linear time that we're familiar with--into a polychronic time that may
look linear but really folds forward upon itself.
In most non-Western
cultures, you see time and history repeating itself. If you understand the
cycles of history, you understand the future. If you're in tune with the
seasons, you know that spring follows winter and that winter is a time of going
within. Once you are able to bring yourself into tune with the cycles of nature,
you can begin to learn how to step outside ordinary time into dream-time. You
cannot take your ego into the dream-time, only your intent. Personality has no
place there. Many of the techniques of shamanism are designed to strengthen and
empower the intent so that you can move into domains with two or three
coordinates in time rather than just one. These are domains that exist parallel
to ours and where you have direct access to knowledge and information. You don't
have to depend on narrative, be it storytelling or the printed word.
In
the Amazon, before you begin certain ceremonies, everybody gets a chance to
share who they are and what they're there for--what they're looking for. The
interesting thing is that everybody does it all at once. Everybody talks
simultaneously. The goal is to tune into the flow of information to get an
impression of the totality of the group's purpose. You're not allowed to begin
the ceremony until you know exactly what each person is saying without listening
to them individually.
So it's a matter of retraining your
senses?
Alberto Villoldo: I look at it as a way of developing a kind
of common sense. It's not a matter of bridging ordinary senses, but of
developing crossover senses so that, for example, I can hear something I see.
What happens is that the five senses begin to meld into a common sense.
Musicians often develop this. They see a flight of geese three miles away and
can hear the flapping of their wings, or they hear music, and they can see
eagles soaring. With this common sense you can learn to literally see with your
skin. For example, when I look at you in the dream-time, I'm not just looking at
your face as I am now. I'm looking at you from the front, the back, and the
sides simultaneously. In the dream-time, you perceive globally. It's an oceanic
kind of perception that is totally disorienting until you learn to focus your
intent. Once you learn how to decipher that common sense into your other senses,
you begin to perceive outside ordinary time. You can hear voices that were
spoken 2000 years ago. You're sensitive to this flow of information that is all
around you. I think it's a sense that's dormant in everybody.
It
sounds similar to lucid dreaming, of learning to maintain a point of
consciousness in the dream state?
Alberto Villoldo: That's the first
stage of it. Shamans say that there are two kinds of people: people that dream
and people that are being dreamt. The dreamers are those who can consciously
guide their dreams. Lucid dreaming is an excellent way to enter the dream-time.
In shamanic traditions you are taught to see, to use your vision to see into
these realities. In seeing them, you enter them, you're in dual realities
simultaneously. You do that through learning to see concurrent realities. If you
can teach yourself to develop the common sense perception that we were speaking
about before, then you can hear twelve conversations at the same time.
Perception is really the key to entering these realities. You learn to perceive
and recognize what's happening concurrently all around you all the
time.
How do you go about entering the dreamtime?
Alberto
Villoldo: I used lucid dreaming to become aware of myself in my dreams.
Castaneda wrote about achieving this awareness by looking at his hands while in
the dream state. What I did was to bring a small crystal I owned with me into
dream-time. When that crystal appeared to me in my dream, I became conscious
that I was dreaming. Then my task became to will myself to places of power I had
visited, such as Machu Picchu or the Anazasi cliff dwellings in Arizona. In the
dream state, one has access to teachers who are not in the flesh. They are not
even in our time frame. If you can cross the curtain of time, you can sit at the
feet of ancient Mayan masters and hear their stories.
What about time
in the shamanic realms?
Alberto Villoldo: The shaman's perspective of
time is not strictly linear. One of my interests is how shamanism looks at the
future. The future is something you can influence in the same way the chaos
theory claims that a tornado ripping through Texas may have been started by a
butterfly flapping its wings in Beijing. The same concept applies across time.
The master shaman who has completed the journey through the medicine wheel can
call forth a higher destiny for his/her people. Those who have completed this
journey have predicted many of the crises and challenges that we face today.
Their prophecies include the return of the jaguar people and the return of
Quetzlcoatl, Lord of the Dawn to the Mayans.
What are these
prophecies?
Alberto Villoldo: One of the Mayan prophecies goes like
this: Seven heavens of decreasing choice, and nine hells of increasing doom, and
then the Lord of the Dawn shall return. Each of these heavens or hells is a
52-year cycle of the Aztec calendar. At the end of the seventh heaven of
decreasing choice, the conquistadors came to Mexico, and the Aztecs thought it
was the god Quetzlcoatl coming from the East. That was the beginning of the nine
hells of increasing doom. The last hell started in 1942 with the detonation of
the first atomic bomb in Almogordo, New Mexico. The end of the ninth hell is
going to be in 1994. The Inca prophecies speak about the return of the jaguar
people, people who have gone beyond death, violence, and territorial conflicts.
The jaguar people are no longer burdened with or hunted by death. They do not
need to bring death to others to placate the hungry gods that live within
them.
What about history after these nine hells?
Alberto
Villoldo: They speak about the return of Viracocha, the creator god that walked
among men. They talk about a time of peace, prosperity, and the return of the
god of the Sun, the Lord of Light. Once we conquer death, once death no longer
lives in us, it will be a time of long lasting peace.
You mean fear of
death, or death itself?
Alberto Villoldo: They prophesy the end of
death. I can't be any more succinct than that. That lends itself to many
different interpretations. Whether we should read that as symbolic or literal, I
can't say. Perhaps they are referring to a change in our perception of death. I
read that prophecy as also heralding an end to violence.
As if we, as
a people, have been wearing blinders and are about to remove
them?
Alberto Villoldo: That's what the rites of passage through the
medicine wheel are: Learning how to see when the blinders are removed without
being overwhelmed. And that's where shamanism can help. The blinders are off for
us as a species and we are overwhelmed. It used to take years of training to be
a yogi, or a medicine man or woman, or a shaman. Many people alive today were
born with those faculties fully awakened, yet poorly trained and developed, and
so all they can do is inhibit them. The brain is masterful at inhibition. When
you put your shoes on in the morning, you don't want to be reminded all day that
your shoes are on, so you inhibit that signal. You inhibit everything you don't
want to be bothered with, whether its wind chimes or traffic
noise.
When the blinders go off, fear rushes in. For example,
sometimes when I'm going to sleep, I start going into sort of an out-of-body
experience, and my immediate response is intense fear or panic. It feels like a
very primitive, animal-like fear of going into these other
states.
Alberto Villoldo: Yes, I know that fear. Some psychologists
have speculated that it might be a response to an old genetic memory from when
our ancestors lived in trees. If we fell to the ground in our sleep, we might be
devoured by animals. A medicine woman or man will say that your task is
eventually to learn how to leave the physical body gracefully. Then, when the
time comes, your departure is an act of courage that will lead you to the land
of the ancestors.
In the shamanic traditions that I was trained in, fear
is the great enemy. You learn to use fear as an early warning system rather than
as a response mechanism. When this happens, the centers of the brain associated
with violent response are disengaged. One of the key teachings of the shamanic
tradition is that you cannot free yourself from the grip of fear until you
exorcise violence from yourself. The fear that lives within us is basically the
fear of death, but we don't die all at once. We die a little bit at a time. So,
by exorcising fear you are exorcising death. You will die, but you won't be
claimed by death if you've already been claimed by life. In shamanism, fear and
violence are denials of life. They are two harsh sides of the same
coin.
"I tell people I'm working with on a one-on-one basis to change
nothing in their lives. I think we're addicted to change. The only thing we need
to change is our perception."
Could you address the role of
hallucinogens
in shamanic practices?
Some people think that's the only way you can reliably get to these other
spaces, and others think they're something you should never
touch.
Alberto Villoldo: In my training I have used the Ayahuasca, a very
powerful hallucinogen. It's not the sort of thing I recommend. The name
Ayahuasca means the rope of the dead. It takes you beyond death to face every
fear that you ever had. It's not an easy experience. I didn't know what I was
getting into when I first started working with the plant. Personal and
collective horrors were coming to me, and my worst dread at the moment was that
I would not die. Definitely not a good high. I was terrified that I would
continue to live seeing this horror. My training was to learn to observe both
horror and beauty and neither deny nor identify with them. Then when you look at
the horrors around you they become a very small and encapsulated part of one
reality that coexists with many others.
I think that the medicines, as
they're called, are valuable and powerful when used in the right context. I have
seen much abuse of hallucinogens, and I don't advise anybody to work with them
unless they're working with a master. Otherwise, I think it's a lot of escapism.
I know so many people who have extraordinary mystical visions and communion with
the divine, but their lives are a dysfunctional mess. They're struggling to
survive doing something they don't like. Their relationships aren't working.
They're living in adversity. To me hallucinogenic escapades are a pseudo
knowledge that mimics but forestalls the kind of knowledge that a shaman truly
seeks; it is the greatest trap in the shamanic training.
What about
teachers? Is it necessary to study with a medicine man or
woman?
Alberto Villoldo: I don't necessarily advise people to find a
medicine man. I do encourage them to go to nature and learn from nature. There
are many great teachers around today, both native and non-native. But above all,
you must know yourself. Lao Tsu, talking about the art of war, said that if you
know yourself and you don't know your enemies you will be victorious in half
your battles, but if you know yourself and your enemy, you will be victorious in
all your battles. Well, if you don't know yourself and you don't know your
adversary in the shamanic sense of calling out the best in you---then you will
lose all your battles.
I tell people I'm working with on a one-on-one
basis to change nothing in their lives. I think we're addicted to change. The
only thing we need to change is our perception. It's like the story of the two
16th century stone masons that are chipping away at two stones. Asked, "What are
you doing?" the first mason says, "I'm squaring out this stone." When asked what
he's doing, the other mason says, "I'm building a cathedral." They're both doing
the same thing, but their perspectives are totally different.
How does
one go about developing and keeping that larger perspective?
Alberto
Villoldo: I think it's vital do your work of the South, to make an act of power
with your own past, and to complete all the I love you's, all the I forgive
you's. Come up with your own rite of passage for shedding the skin of the past,
but make sure that it's more than just a mental exercise. Go through your rite
of passage-design it, devise it, and do it. That's what brings the sacred into
your Iife. The task of the shaman is not to pursue meaning but to create it, to
bring the sacred to an otherwise profane and mundane reality. That takes a daily
act of courage and a willingness to make mistakes.
You need to live your
life with power, honor, and dignity. To do that may be as simple as placing
yourself ten years from now and asking yourself: What is it that I wish I had
attempted-not necessarily attained but attempted---in those ten years? What
would make you the type of human being that you want to grow
into?
Shamans say that everybody has a future, but only a few people have
a destiny. A destiny is something you have to summon. You do this by embracing a
mythology where you're never cast out from paradise, where you still walk with
beauty on Earth. You do this by living your life with mastery and vision, seeing
what everybody else sees and thinking something different about it. This is a
personal ecology; this is the practice of shamanism.